Sprang Designer

I've found my happy place. I get to play with geometric puzzles and see the results as patterns in cloth. Initially I experimented with my fingers playing in the threads, always asking "what happens if...". As the designs became more complex I couldn't hold them in my head and finally relented and started writing the patterns down.

Collection of S&Z-patterned pouches.

A year ago I answered a call for Arts and Sciences projects for Northshield’s new queen to give as tokens of appreciation. She asked for each participant to create ten similar items. I used it as an opportunity to explore the surface texture created when the direction of stitches changes from a forward slash or Z lean to a backslash or S direction. I had just started playing with these S&Z textures and was eager to create ten different patterns and turn each sample into a small pouch.

I had no interest in writing the patterns down as I worked, happy to create one-of-a kind pouches. But then I ran into some geometrical questions that I couldn’t wrap my head around without seeing it on paper. And after writing that first chart out I realized that I DID want written patterns for the other designs, and that I quite enjoyed the process of putting marks on paper.

Pouch with pattern

For the past year the patterns have been piling up on my desk and I’ve been working through (and adding to) my yarn stash. I have created a range of new labyrinth patterns, participated in Carol James’ SprangAlong year of lace patterns, and assisted Carol in producing a new book of sprang lace patterns. We’ll look at the various projects in future posts and see what I learned from them. Much of the learning came things that didn't go as planned.

A variety of patterns